A Good Fight

A Good Fight

I just finished a re-read of Dust of Dreams by Steven Erikson. And yes, I’m a shameless re-reader. Started with LOR back in high school (a long time ago in a galaxy far, far away). I could quote whole paragraphs by memory. I have none now. Memory. Anyhow, two facets of his craft stuck with me when I turned the last page. One, his battle/fight scenes. The other is always a delight: Finding the novel’s title in amongst the story’s arc of words, plots, scenes, and dialog. A topic for another time. Perhaps a damp day of chill spring rain, a warm fire, mulled wine, and whatever else floats yer boat.

Our characters’ weapons do and don’t matter. I see ‘em as props, scenery, context. They frame the physical action. Either a hand dissolves in a spell’s vaporous acids; flies off in a spray of gore still holding Gaius’ gladius’; or turns to ash beneath Rex’s energy beam. Point being, bad, lethal, painful, gory shit happens in a good fight. Question is: How do we draw our readers in, time after time, page after page as the characters slice and dice away at each other? Ok, so we pace the violence out. And then there’s the meleé versus the individual duels.

Always an attention getter if a key character suddenly exits stage right, a la R.R. Martin’s Red Feast. (Back when he was actually publishing books in his orphaned Song of Fire and Ice series. Lucky for us HBO changed it to Game of Thrones. At least someone is invested in completing the story.) Moving on . . . sorry (not really). In the end, we’re still left with the guts, gore, nuts and bolts of a fight to the death to be painted across our book’s pages. One at a time.

Me, I try and bring it down to the mano y mano, chica y mano, chica y chica level. Face to face, you and me, bring it on fucker, eat shit and die. I’m visual. My memory, when it works, works visually. Ask me about a music scale, a chord, a note, I see a guitar neck, a pattern, a template, then I know the chord or scale. So make the fight visual; make it visceral; make it mean and bad. ‘Cause it is.

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Here’s a battle scene from Across Time’s Dark Way, my second and forthcoming novel in the series, The Years of Bone and Ash.

“Make sure the men are in position,” he ordered, focusing on the immediate task at hand. “And emphasize to each legate that no one so much as pokes their head up until I give the signal. I’ll bloody well flog the whoreson who gets too eager. Make sure they all understand that.” He glared out over the canyon’s floor, a shadowy darkness beginning to spread out over the sady floor along its far side. Here and there the bright glint of sunlight on steel flashed as the legions began to deploy out across the burning sand. Of the legionaries hidden along the rocky ledges and heights to either side, there was no sign at all. Nor would there be.

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